Sunday, April 8, 2012

Gold: PressPausePlay documentary

This documentary is worth watching and feeling a bit sad, concerned, inspired, and probably a few more emotions. It doesn't provide answers per se, and I think this poses a challenge for the Christian artist and audience to use his/her biblical worldview to understand the phenomena addressed and to act accordingly. I was personally challenged to consider how I have been consuming, critiquing, and creating art (particularly spoken word). I pray that I will not settle for mediocrity, not just because mediocre art isn't as enjoyable, but because God is not mediocre. When watching, keep in mind Phil Ryken's comment in Art for God's Sake that  “the standards from artistic goodness come from creation itself […] it comes from God as a part of his general revelation.” (pg. 38-9). 

(And I was excited to see one of my favorite artists, Ólafur Arnalds, featured!)

About the Documentary:
The digital revolution of the last decade has unleashed creativity and talent in an unprecedented way, with unlimited opportunities. But does democratized culture mean better art or is true talent instead drowned out? This is the question addressed by PressPausePlay, a documentary film containing interviews with some of the world's most influential creators of the digital era.
www.PressPausePlay.com  


A few memorable quotes:
The human spirit, when it’s allowed to become made manifest through art, invariably is going to create greatness. It almost doesn’t matter what the medium is,…when humans make things, they tend to make interesting things…The danger is people becoming comfortable with mediocrity.
- Moby, Artist

It used to be that you didn’t become an artist to become rich. You became an artist because you had an idea to share, because you had an emotion to share. And that’s where we are heading again. And we’re going to see more people do more art in more ways than ever before.”
-       Seth Godin, Author, Unleashing the Idea Virus

Ideas that spread win.”
-       Seth Godin

Almost everybody I meet in the world of art, music, literature, creative expression…everybody’s equally excited and afraid. No one really knows where their next paycheck is coming from, but they’re really excited at their ability to create work and communicate directly with an audience.
-       Moby, Artist

We are on the verge of a new dark age. The creative world is destroyed. All we have is cacophony and self opinion. We have a crisis of democratized culture.”
-       Andrew Keen, Author, The Cult of the Amateur

We are at a time when artists have the power.”
-       Brenda Walker, Music Producer, DJ

I’m totally up for the democratization of anything […] it moves things along.”

When you fall into the trap of confusing the artist and the audience, when you believe that the audience knows more than the artist—is more authoritative, is more creative, is more talented—then art ends. Then you have something else. You have a cacophony. You have simply an apology for radical democratization. And it’s wrong to confuse democratization in cultural or political terms with the creation of art, which is by definition, for better or worse, an elitist business.
-       Andrew Keen

So for a serious, young filmmaker these are very, very depressing times. When you leave everything to the crowd, when everything becomes democratized, where everything is determined by number of clicks, you’re by definition undermining the seriousness of the artistic endeavor.”
-       Andrew Keen

If everybody’s a musician, and everybody is making mediocre music, eventually the world is just covered in mediocrity, and people start to become comfortable with mediocrity. And that to me is the danger.
- Moby, Artist

One of the most fascinating aspects of the digital revolution on the creative process is how it separated, to an extent, knowledge of craft and creativity.”
-       Moby

Younger musicians, and some older musicians I’ve seen do this too, rely too much on the technology. They give a substandard, a subpar performance and they expect the technology to compensate for it.
-       Nick Sansano, Music Producer

The craft is no longer necessary.

I personally find perfection in art and music to be really off-putting. I like listening to Billie Holiday because there’s vulnerability […] I get really intimidated and bored by perfect digital art.”
-       Moby

I remember when I was a kid I went out and bought a record, and it was this moment of pure concentration and joy of listening to every little bit and looking through the vinyl and watching the vinyl turn around with the needle and the groove. It was sort of a full kind of concentration. And now I always do something else when I listen to music.”

I think the live show is what’s going to keep music dangerous.”

I think a lot of musicians are now increasingly compelled to figure out how to stand on stage and connect with an audience whereas before the connection was playing the one hit single that the audience might have heard on the radio, and now the connection has to be a lot more genuine and, I think, a lot more human in a way.”
-       Moby 

Monday, April 2, 2012

Art for God's Sake

Notes and Memorable Quotes from...

By: Philip Graham Ryken

“It is always costly, in personal terms, to produce a work of art. Then, once the work is produced, it is sometimes undervalued. People fail to hear its message or appreciate its artistry. To be an artist is often to be misunderstood.” (pg. 8)

All too often we settle for something that is functional, but not beautiful […] Ultimately this kind of art dishonors God because it is not in keeping with the truth and beauty of his character. It also undermines the church’s gospel message of salvation in Christ. Art has tremendous power to shape culture and touch the human heart. Its artifacts embody the ideas and desires of the coming generation. This means that what is happening in the arts today is prophetic of what will happen in our culture tomorrow. It also means that when Christians abandon the artistic community, we lose a significant opportunity to communicate Christ to our culture.” (pg. 14)

4 fundamental principles for a Christian theology of the arts (drawn from Exodus 31):
1)    the artist’s call and gift come from God;
2)   God loves all kinds of art;
3)   God maintains high standards for goodness, truth, and beauty; and
4)    Art is for the glory of God. (pg. 17-18)

Thoughts from Genesis 1:
“If the opening chapters of Genesis portray God as a creative artist, then it only stands to reason that the people he made in his image will also be artists.” (pg. 24)

“Even if our art must become an avocation rather than a vocation, it should still be pursued with deep joy and a strong sense of purpose.” (pg. 27)

3 kinds of visual art produced by Bezalel and Oholiab in Exodus 31:
1) Symbolic: “uses a physical form to stand for a spiritual reality.”
a.     ark of the covenant//atonement
b.     golden lampstand//light of God’s glory and grace
2) Representational: “imitates life by portraying a recognizable object from the physical universe.”
a.     pomegranates on the robe of the high priest
 3) Nonrepresentational/Abstract: “pure form”
a.     colorful curtains in the Holy Place

3 Standards for Art:
1)   Goodness: ethical & aesthetic
a.     “the standards from artistic goodness come from creation itself […] it comes from God as a part of his general revelation.” (pg. 38-9)
2)   Truth: true to nature and true to God’s nature
a.     Creation: “celebrate the essential goodness of the world that has been made […] healthy realism.” (pg. 40)
b.     Fall: “mourning the lost beauties of a fallen paradise. […] tragic sensibility,” (pg. 41).
c.      Redemption: “the hope that has come into the world through the life, death, and resurrection of Jesus Christ.” (pg. 41)
3)   Beauty

“God is a great lover of beauty, as we can see from the collection of his work that hangs in the gallery of the universe. Form is as important to him as function.” (pg. 42)

“The problem with some modern and postmodern art is that it seeks to offer truth at the expense of beauty. It tells the truth only about ugliness and alienation, leaving out the beauty of creation and redemption.” (pg. 43)

And now this good, true, and beautiful God says to us, in words that might well serve as a manifesto for Christianity and the arts: 'Whatever is true, whatever is noble, whatever is right, whatever is pure, whatever is lovely, whatever is admirable—if anything is excellent or praiseworthy—think about such things' (Phil. 4:8). Although this verse has wider implications for the whole Christian life, at the very lease it outlines a set of ethical and aesthetic norms for the artist and for the art.” (pg. 44)

Themes of Christian Art (adapted from Francis Schaeffer):
-       Minor Theme: the ugliness of sin
o   “the lostness of humanity outside of Christ and the ‘defeated and sinful side to the Christian’s life.’” (pg. 44-5)
-       Major Theme: the beauty of God’s grace in redemption
o   “the grace of God that gives meaning and purpose to life.” (pg. 45)

How artists can avoid idolizing the arts/themselves:
1)   “By acknowledging their artistic ability as a gift from God”
2)   “by resisting any temptation to isolation and instead living in the Christian community”
3)   “by offering their art in praise of God.” (pg. 49)

“Thus the true purpose of art is the same as the true purpose of anything: it is not for ourselves or for our own self-expression, but for the service of others and the glory of God. Or to put all of this another way, making art is an expression of our love—love for God and love for our neighbor.” (pg. 50)

The great American theologian Jonathan Edwards said, ‘All the beauty to be found throughout the whole creation, is but the reflection of the diffused beams of that Being who hath an infinite fullness of brightness and glory; God … is the foundation and fountain of all being and all beauty.’” (pg. 54)

Our salvation is directed by a redemptive aesthetic. By this grace, one day the best of artists will take everything that has been disfigured by our depravity and transform us into people of beauty who will be a joy forever.” (pg. 57)